Agony And The Ecstacy The Agony and the Ecstacy depicts Michelangelos struggle to become the avatar of Renaissance humanism. In the course of the novel Michelangelo must hyponym the interference of his family, religious dogma, political intrigue, papal patronage, military campaigns, and voluptuous desirousy to realize his artistic ambition. Despite his fathers opposition, twelve-year-old Michelangelo becomes an apprentice, archetypal to painter Ghirlandaio and then to Bertoldo, a sculptor, who directs a schooltime financed by Lorenzo de Medici, patron of Florentine art.
Michelangelo quickly wins Loren zos esteem, meets his children (among Them twain early popes, Giulio and Giovanni, and Contessina, his first love), suffers the first of several attacks by jealous colleagues (his trespass is broken by Trrigiani, whose later appearances always jeopardise Michelangelo), and through forbidden dissection learns the anatomy and physiology he needs. Eventually Savonarola, a illuminate priest...If you want to get a full essay, put it on our website:
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